Sync sound allows you to record sound simultaneously with recording video, Lavalier microphones are something that we experimented with and learnt more about in our sound session. They are especially useful and mostly used for interview purposes as they are quite small making them easier to conceal than ordinary microphones. However despite this there can sometimes be trouble with sound coming from the interference of clothing traveling up the wires, this can be avoided with a few tricks. Tieing the wire in a loop helps to help create strain relief so that noise cant travel up the wire in to the microphone, also gaffer tape is the best way to stick the wire down to clothing or the skin without it leaving a residue or causing pain when peeling off.The microphones are quite small as it is however there are some good techniques used in order to conceal them under clothes, for example behind the tie, under the collar etc., in terms of using this in our documentary it will be very useful as we are hoping to film some student interviews along with an interview with a sleep specialist to help back up the points in our interview with a professional source.
Saturday, 25 February 2017
Documentary style research
My Beautiful Broken Brain (Directed by Sophie Robinson and Lotje Sodderland,2014)
- Begins with David Lynch quote
- also begins quite disorientating visually
- In and out of focus, mostly out of focus/ fuzzy
- cloud shots, city time-lapse..
- words on screen, no voices as of yet
- lots of handheld continuously (walking through park, streets, into cafe..) very point of view
- Still haven't been introduced to main ‘character’/ person of interest until about 10 minutes in
- First introduction of main woman Lotje Sodderland (co-director) is blog footage at hospital
- close ups of medical reports/hospital records
- First interview with Lotje starts normal, sound then distorts and echoes
- Vlog footage dominates a lot of the documentary, mixed with family/friends interviews
- quite a few P.O.V shots
- minimal added soundtrack throughout, quiet almost relaxing and dreamlike background sounds
- some sharp cuts from blog footage, P.O.V shots walking and interview footage with added distortion from editing (over saturation, colours heightened…)
Timelapse shot
Lotje's first appearance in vlog format
overhead shot of Lotje re-practicing spelling
one of the over saturated shots, a technique used a lot throughout
Grizzly Man (Directed by Werner Herzog 2005)
- Narration throughout entire documentary
- heavy use of Timothy Treadwell’s actual footage living amongst wild grizzly bears
- family/friends/doctor interviews
- increased immersion and sense of reality due to real footage
- no happy outcome as audience is aware of Timothy’s death prior to documentary
- Herzog likes to leave the camera rolling after finished interviews in an attempt to capture more authentic actions
Timothy Tredwell's own recorded footage
Director Herzog and friend of Treadwell listen to the audio recorded from Treadwell's camera during the fatal bear attack
Gimme Shelter (Directed by the Maysles brothers, 1970)
- Handheld ‘fly the wall’ tactic (wild horses scene) in studio with band members and others, as if audience was there with them
- Stones re-watching documentary scenes with directors, allows the audience to re-watch certain events creating a further understanding (e,g Altamont stabbing scene)
- lengthy concert videos footage of the Stones
- lots of close ups
- no voiceover (reinforcing ‘fly on the wall technique, just filming them and their audiences as if the cameras aren't there
- not a lot of interaction with the Stones and the camera
- footage of other interviews but not specific for the documentary (press interviews etc.)
- lots of stand alone footage (especially in Altamont scenes) basically letting the camera sit there and capture anything
Mick Jagger on stage performing
Press interview with the Stones
Mick Jagger in the studio listening back to their song 'Wild Horses'
Footage in the studio being watched by the Stones, directors and other crew
Friday, 24 February 2017
Filming Process - Sleepless in Sheffield
Here is some evidence of a small portion of the filming process for our documentary. At this point we were gathering some establishing shots from our shot list before we gathered our main bits of footage, them being the vlogs from the star of our documentary Tom as well as interviews with students and a sleep specialist.
Sleepless in Sheffield - short documentary planning
Sleepless in Sheffield - short documentary
Roles
Camera - Giovanna
Director/ Star - Tom
Producer - Jodie
Sound - George
Editing - Hannah
Shot list
- Timelapse (midday, afternoon to evening)
- side on shot of science book/pictures of brain *experiment with focus*
- Walk through uni
- walk outside uni (hallam hill, near entrance)
- Interview (students, possibly health specialist)
- Vlog (Toms bedroom, his experience, check ins throughout process)
- Green screen + text information
- Clouds (timelapsed if wanted)
- through window/ walking towards window (vlog style or handheld)
- high angle shot Tom doing brain activities/word games after no sleep
- students working (in library, cafe..) (try capture people looking tired)
- slider running past bookshelves (possibly)
- close up shot of dictionary/ online definitions of key words (sleep, brain….)
Equipment list
- XF100 camera
- tripod
- steady cam rig (possibly)
- zoom
Thursday, 23 February 2017
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